日前香港抗爭藝術家劉慧婷應「公元2000論壇基金會」(Forum 2000 Foundation)邀請參與主題爲「新世界嶄現？恢復責任與團結」的第二十四屆論壇，並與藏人行政中央司政洛桑森格(Lobsang Sangay)及美國國際宗教自由委員會努里·特克爾(Nury Turkel)為瓦茨拉夫·哈維爾人權研討會以「中國：一個人權的難題」為研討題目，探討西藏、新彊及香港人權現況，就中國無視國際義務，進行有系統種族裔及文化滅絕、現代化集中營，以及全面的高科技監視，西方社會又應如何應對。
另外論壇演講者還包括臺灣總統蔡英文、捷克議長維特齊（Miloš Vystrčil）、歐盟執委會副主席喬洛瓦(Věra Jourová)、歐盟人權特別代表季爾莫(Eamon Gilmore)以及英國牛津大學教授艾許（Timothy Garton Ash）等。公元兩千論壇是捷克前總統哈維爾（Václav Havel）在1996年創辦的國際會議，旨在推廣民主、保障人權和強化公民社會，每年10月於布拉格舉行，今年卻受疫情影響而改爲網上召開，並於12日揭開序幕，是捷克政壇重要的年度會議。
有關資料: 瓦茨拉夫·哈維爾人權研討會「中國：一個人權的難題」 https://www.facebook.com/CTATIBETTV/videos/341762530376308
蔡英文出席公元兩千論壇 與捷克參議長共促民主國家合作 https://news.ltn.com.tw/news/politics/breakingnews/3319273?fbclid=IwAR1S0_Vw49oH70lXf5RQIbQ6cIkCWobH8V8EDZCdbN59PlBlvo87x7YY1ak
Online Gallery : Confession
If you couldn’t visit the show in galerie NTK, click the link and start your 3D gallery experience.
照片：Nguyen Phuong Thao
LORETTA LAU（34）於布拉格藝術、建築與設計學院(UMPRUM)快將展開最後一年視覺藝術碩士課程，本來投考了德國魏瑪包豪斯大學(Bauhaus-Universität Weimar)的她，來到布拉格學習或多或少是一個偶然。 她在香港教育大學畢業後於兩所中學教授視覺藝術科達七年之久，2018年她毅然決定去歐洲留學，在這裡她找到了一個新的藝術定位——政治行為藝術家。這都無可厚非，2019年6月中共政府草擬的引渡法當頭棒喝香港長久以來的法治基礎，該項法案旨在引渡被刑事起訴的港人到中國服刑，直到現在民主抗爭已成為港人的日常。
一開始我感到非常錯愕，我完全無法理解他到底想我做什麼，總覺得Jiří不太喜歡我，或者是我們之間的文化差異及語言障礙所致。起初實在是難以適應，過了一段時間他竟然問我:「Loretta你為什麼總是畫畫？你不如試下跳泰國舞？」 然後他做了一些雙手合十等跳舞動作，我看得無名火起:「泰國舞跟我有何關係，難道膚色黝黑的我就該懂得跳泰國舞嗎？」 實在看不慣這種中歐大男人主義，在香港我從來都沒有遇過這種對待。
我還以為Jiří Černicky 是UMPRUM中最著名的女權主義者…
2019年6月3日，六四大屠殺發生三十週年之時，DOX當代藝術中心舉行了一次紀念晚會，是次晚會紀念1989年在北京天安門廣場被殘酷鎮壓的死難者。我僅在晚會兩週前得知捷克著名雕塑家Marie Šeborová剛完成了劉曉波的半身像，並將其聳立於該藝術中心的展覽廳。她也是愛爾蘭國會大廈內瓦茨拉夫·哈維爾(Václav Havel)半身像的作者，而哈維爾便是2010年劉曉波獲得諾貝爾和平獎之提名人。其實香港亦曾經出現過兩次劉曉波雕塑，但作者都害怕承認其身份，故以匿名贈出。而那時香港的緊張局勢再次升溫，於是我鼓起勇氣告訴自己要走到劉曉波半身像前進行第一次行為藝術，並電郵DOX可否在該藝術中心演出。
2016年中國國家主席習近平在總統米洛什·齊曼（Miloš Zeman）的邀請下訪問了捷克，成百上千的人們慶祝他的探訪，我認識一些反對者受卻到人身攻擊, 那您在捷克有遇到一些中國人嗎？
Don’t let freedom slip through your fingers
INTERVIEW – REFLEX.CZ
Text: Marek Gregor
Photo: Nguyen Phuong Thao
LORETTA LAU (34) will be starting her final year of studies at the Academy of Arts, Architecture and Design in a few weeks. She came to Prague more or less by accident after she was not accepted to the Weimar Bauhaus. At home in Hong Kong, she taught design and art in high school for seven years after graduating from the Hong Kong Education University. In 2018 she decided to go to study in Europe, where she also found her second artistic position – political performance artist. No wonder why, AT THE END OF SPRING 2019 IN HER COUNTRY, THE COMMUNIST GOVERNMENT OF THE PRC PERFORMED PRESSURE ON LOCAL DEMOCRATIC FORCES through the process of approving the so-called extradition law, a legal norm enabling the extradition of persons to criminal prosecution for mainland China, and the streets of Hong Kong are still full of protesters.
HOW DOES A 32-year-old woman from Hong Kong go to study art in the Czech Republic? In Hong Kong, I taught visual arts and design in high school. However, after seven years I gradually stopped having motivation. It is not the teaching that bored me, but the Hong Kong education system imposed huge pressure on my students, which frustrated me. I always dedicated myself to becoming an artist rather than an art teacher, so I decided to study overseas. My application was not accepted under the Public Art and New Architectural Strategies at the Faculty of Art and Design at Bauhaus University in Weimar, so I promptly applied to the Academy of Arts, Architecture and Design in Prague.
You started your study at the painting studio of Jiří Černický. How did you feel to return to school after seven years and to begin in an opposite position?
It was shocking to me in the beginning. I was not able to understand what exactly they wanted from me. Maybe Jiří did not like me so much, maybe it was because of cultural differences, or maybe the language barrier. It was hard to get adapted. After a while, he kind of helped me when he asked “Loretta, Why do you always paint? Why don’t you try some Thai dancing?” He made a few dancing movements and provoked me. I thought “I have nothing in common with Thai people, shall I try Thai dance merely because of my skin colour?” I was not used to this Central European machismo. Of course, I never had to deal with it in Hong Kong.
I see, but Jiří Černicky is known as a renowned feminist in UMPRUM…
Subsequently, I realized that he was explaining to me to try another technique or different expression when I was painting classically with charcoal and ink. After the first semester, I went to Hong Kong in depression. At the beginning of February 2019, at the time of the lunar new year celebrations, I was charging my energy with my friends and family. When I returned to Europe after two weeks, I could not imagine that something bad might happen there. But as soon as I arrived, I started to see in the media that mainland China is preparing the extradition law. I was watching it all through the internet, people were scared, and a small demonstration erupted, but they weren’t too massive yet. I don’t think the participation in them was more than ten thousand demonstrators. The turning point – over hundreds of thousands of protesters – did not occur until June 9, 2019, before the second reading of the law in the Hong Kong Parliament.
And at the same time, you discovered yourself a political performance artist…
On June 3, 2019, in DOX Center for Contemporary Art, there was an evening memorial commemorating thirty years since the bloody massacre that brutally suppressed protesters in Beijing’s Tiananmen Square in 1989. And because I knew that only two weeks earlier they put a bust of Liu Xiaobo (a Chinese literary critic, activist, philosopher, and dissident who died in 2017; editor’s note) by Marie Šeborová, who is also the author of the bust of Václav Havel in the Irish Parliament building. I asked them if I could hold a performance there. It was Václav Havel who nominated Liu Xiaobo for the Nobel Peace Prize, which was awarded to him in 2010. His wife, poet Liu Xia ( she visited Prague multiple times, in 2018 she was received by Czech minister of foreign affairs Petříček; editor’s note) then shaved her head to protest that her husband could not go to the award in person. It was a huge symbol because in that time tensions were rising in Hong Kong again! Additionally, two busts of Liu Xiaobo were created in Hong Kong anonymously, the artists were afraid to admit to authorship. I mustered the courage and told myself that I would perform in front of that bust, my first one! In his honor I got my hair shaved by an executor (represented by another Hong Kong student at the Academy of Arts, Architecture and Design in Prague, Ingrid Wong; editor’s note) Do you know what was incredible from my point of view? After the performance, a lot of people came to me and wanted to talk about the situation in Hong Kong.
When did you first realize that there was something wrong with Hong Kong, or with China’s proclaimed principle of ‘one country, two systems’?
In 2013, when the PRC began to influence the state education system in Hong Kong. Education here has always been built on civic foundations, we have learned about civil society elsewhere in the world, about the separation of power in the state, and they suddenly began to rewrite the curriculum, with the proviso that we have to become patriotic. Many young activists, mostly students and their professors spoke out against this. Professor Benny Tai, one of the leaders of the Occupy Central with Love and Peace movement, was fired this year from the university where he lectured for many years. We realized that they wanted to brainwash us and turn us into obedient citizens of China. At the same time, Hong Kong has been a part of Western culture for the last one hundred and fifty years. That is why the first major street protests took place, first students and teachers, then more, an umbrella movement was established. From August to December 2014 there were hundreds of thousands of people on the streets,1.2 million in a day at the peak.
Why did the 2014 protests end?
They manage to calm us with a lot of promises. They promised us and said ‘Don’t worry, we’ll approve everything, but now is not the time.’ We Hong Kongers are frogs in the water who do not notice that the water in the thermal springs is heating up more and more. The frog won’t get it when he’s cooked alive, and we felt quite comfortable in that boiling water.
How people perceived the handover of Hong Kong under Chinese rule from the UK on July 1, 1997 (after 100 years of rule over so-called New Territories, rented from China; ed. note), with a commitment to an agreement that CPR will grant autonomy for Hong Kong for 50 years?
I was young, I was thirteen, but I remember that even though it was raining, people took to the streets, they didn’t know what was going to happen. Many people flew to Canada or Britain, leaving the island with apprehension. At that time, the chief executive Tung Chee-hwa did not take any visible steps to curtail democracy — the free movement of people, civil liberties, was guaranteed, and at the same time there was a sense of clear prosperity — so many of them who left were returned. For at least the first ten years, the transition from British to Chinese administration was perceived positively by many people.
You see, this sounds strange to me – after all, it was handed over to Chinese administration only eight years after the aforementioned massacre in Tiananmen Square.
You know, people in Hong Kong think more about money than anything else. It is probably given historically – it has always been primarily a financial center. And in the name of money, they simply forget. It is reminiscent of amnesia, somewhere historically encoded.
Just a short distance from Hong Kong lies the former Portuguese colony of Macao – another territory administered by the PRC since the end of the century, according to one country, two systems. It is only fifty kilometers between the two islands. Why are there no more visible civil protests like in Hong Kong? Is it because Macao is a gambling paradise?
It’s about the mentality, it’s hard to say, I don’t like to express uncompromising judgments, but I think the basis is access to education. Just compare the number of universities in Hong Kong and there. Besides, Hong Kong is the world’s financial center, we have a historically reliable system, people from other countries trust us as partners, they are not afraid to invest with us. When it comes to money, Hong Kong is at the top of the pyramid of financial metropolises.
What about Taiwan?
From our perspective, Taiwan is a completely different story. It is a successful independent country. We as Hong Kongers started to have a sense of local consciousness not so long ago. But we did not ask for independence, we just wanted to continue original British Hong Kong. I can hardly compare Taiwan to Hong Kong, but, how to say it, we have always been comparable in some ways.
I guess you knew about the recent visit of the chairman of the Czech senate Miloš Vystrčil to Taiwan.
It was incredible! I read his entire speech and then the reaction of the Chinese Foreign Minister Wang Yi, as he threatened to cancel diplomatic relations. You know, personally, after the National Security Law, it almost seems like a declaration of war to me. Even if Czechia is a small country, it is part of the European Union. When someone says something like that, it seems very strange to me. Of course, I also noticed support from the foreign ministers of Germany and France.
Speaking like this, aren’t you afraid you won’t be able to return to Hong Kong?
I guess so. I still communicate with my friends and family over the Internet, but as you probably know, mainland China restricts the use of Google, YouTube, and similar applications. Once the Internet network in Hong Kong becomes part of mainland China’s network, we will have to download Chinese version applications, to chat with my parents and friends.
Will you be back?
I think I would risk it if my parents had a problem, but I certainly don’t see a reason to go back now.
Do you think that passing the National Security Law brings a definite end of Hong Kong democracy?
On June 30, 2020, after passing the National Security Law, we can see that communist laws will surpass the Hong Kong basic laws and yes, I do fear the end of freedom in Hong Kong is near. That law completely denies the self-government of Hong Kong. We have always done everything in our power, we have tried to let the international community know what is happening in our country, and many of those cases have received worldwide acclaim. For example Nathan Law (an activist, student leader who left Hong Kong on July 2, 2020, for his safety; ed. Note) He arrived in Berlin three weeks ago during a meeting between Foreign Minister (PRC) Wang Yi and representatives of the German government, to show what was happening in Hong Kong. Individually we are successful, but how to give strength to others? Someone is working on politics, someone is advertising, someone is doing art…. It seems like separate entities, however, I hope this is not the definitive end of our democracy, even though many people went abroad, we are protesting in another dimension. For example two of the most prominent figures for me today – Director Jevons Au who, in his 2015 film Ten Years, predicted the near future of Hong Kong, which is unfortunately already being fulfilled, moved to Canada. Second, Lau Kwong Shing emigrated to Taiwan in the summer to devote himself to comics that denounced political practices of mainland China and the Hong Kong government. It is hard to say whether it is better to protest in Hong Kong, knowing all the possible consequences, or to go elsewhere and draw attention from the overseas community.
After 30 June 2020, the United Kingdom offered asylum to all citizens born in Hong Kong until 1997. Do you have any acquaintances who took advantage of this offer?
In Hong Kong, there are yellow and blue groups of people. Yellow are democrats and blue are Beijing supporters and opportunistic populists, who do not mind marrying the regime in the name of benefit. When there is money, they do not perceive brutality. For example, I know a lady who claims that due to her family values, Chinese tradition, and her idea of prosperity that she has to take care of her closest ones, for those reasons her ideas are much closer to mainland China. But now in July, she was in the first seat on the plane to the UK. On the contrary, I admire the attitude of many yellow ones, who still have the strength, ability, and needs to stay in Hong Kong and sacrifice themselves for freedom and democracy. They love their country.
In 2016, Chinese president Xi Jinping visited Czechia invited by president Miloš Zeman, hundreds even thousands of people celebrated his arrival. I know a few people, who were in protest against him being exposed to physical attacks. Do you meet blue people in Czechia?
It is interesting since I was here I did not meet many people from mainland China, but mostly tourists. It’s probably because I live among artists. However, what I see regularly is hatred on social networks. This June I was performing on Wenceslas Square to commemorate the Tiananmen Square massacre, then I started to receive hateful comments. They said I looked like practicing Falun Gong (spiritual movement, sometimes described as a cultivation method of Buddhist school), which is depicted in mainland china as an infectious new age movement. I got messages like “Which side are you on? Witch!” but I don’t care about online threats.
Do you feel support from Czech People?
I feel a lot of support here. For example Milan Mikulaštik, curator of my exhibition in the Gallery of National Technical Library. I also put my actions in a local context, like the Prague Spring and Velvet Revolution. People in the Czech Republic have a stabilized life today, I try to bring them closer to what we are experiencing on the other side of the globe, and that it is very similar to what you experienced here thirty or more years ago. That is why in my current exhibition I contrast Václav Havel’s speech from 1990 with the speech of the current president of China, Xi Jinping from 2020. If you were born with freedom, remember some people fought for you, so please take care of it and not let it slip through your fingers.
Confession Of Virus Isolation Days19 (COVID-19) – Trailer 2
A Project of our time, of our people, and of our nature.
Confession Of Virus Isolation Days19 (COVID-19) is an online performance art project, inspired by the quarantine situation all over the world. A massive live-streaming discourse among guests and artist Loretta Lau accomplished in 19 days of isolation from 25th March to 12th April. 166 international artists, musicians, actors and individuals were invited to participate in a confession session, to share their unique emotion and story in this hard isolation time.
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